Good weather for reading

It is La Niña, I’m told, that is responsible for our cold, wet spring, after a warm, wet winter. A good time to settle in with reading and writing, I suppose, although I find it increasingly difficult to do more than listen to audiobooks while I potter around the kitchen or carry them around the house in my phone.

Most recently I listened to I Who Have Never Known Men, a post-apocalyptic Belgian novel by Jacqueline Harpman, whose new translation, I gather, has been giving it new life. It was thoughtful, and, like so much speculative fiction, unsettlingly prescient in its depiction, in this case, of unexplained imprisonment. I did appreciate its turning some male views of forced communities – think Lord of the Flies – on their heads. The women in this novel manage to get along and get things done and built. Reading her bio, I see that Harpman was trained as a psychoanalyst, which perhaps explains much about the carefully constructed relationships between the women.

Before that, I was in an entirely different world. A couple of years ago, a friend from my boarding school childhood sent along some comments responding to a review in the Guardian of Charles Spencer’s memoir, A Very Private School. This led me down some rabbit holes, not least of which were a couple of fascinating nonfiction books about boarding school syndrome; Joy Schaverien had coined the term and written about it in a book of that name, as had another therapist, Nick Duffell, in his book The Making of Them.

Though Spencer’s school’s structure and terminology were very close matches to mine, my experiences were, mercifully, without the physical and sexual brutality of Spencer’s schooldays. Girls’ schools are  (were, in the time period Spencer and I share, the seventies) kinder places, at least physically. And perhaps that makes them harder to write about, so there are far fewer books on the topic. Much of what I’ve seen is of the Enid Blyton variety; who knows, perhaps even back then there were a lot of girls who enjoyed the experience.

At a dinner with half a dozen of my former classmates from boarding school days a couple of summers ago, it did seem that most had more or less favourable memories. It may have helped that they had graduated from the school, which means they reached the age when they were able to exercise some control over their lives there than I had when I left after grade 10; and they also graduated under the eye of a different head of school than was running things in my day.

And the actual physical book I’ve been enjoying is Kindest Regards : New and Selected Poems by Ted Kooser. I had heard his name and seen the odd poem but hadn’t sat down with a full collection before. Alas for my shelf space and budget, I was compelled to return the library copy and buy my own as it’s something I expect to dip into for some time to come. Readable and rich in its language – a tough trick to pull off.

And something I had been reflecting on after seeing an old interview with Scottish poet Norman MacCaig, who believed strongly in poetry as a communication. Said that when this had become clear to him, had gone through and edited the obfuscations out of his old work in the interests of clarity.

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The world, the world

There’s that parlour game – ‘who would you most like to have a conversation with’? and I’ve always felt like I’d be too awestruck to speak with many of my heroes. But I’ve been an admirer of David Foster Wallace since discovering a book of his essays at my cousin’s house a few years ago.  I’ve never read his fiction (so far) but he did some notable interviews during his lifetime, and after watching some of them, I feel like he’d have been great to natter with.

Here’s one with a German interviewer, from 2003, which is alarmingly prescient in its range of topics, from citizenship, corrupting power of corporate sponsorship, silence (absence of, importance of, for reading and thinking). I also like that he’s not wearing his characteristic bandana!

“I don’t think this is an evil country, I don’t think Americans are evil, I think we’ve had it very easy materially for a long time and we’ve gotten very little help in understanding things that are important besides being comfortable. I don’t think anybody knows how we will react if things get really hard here. And the fact that we’re strong militarily and economically is a good thing, but it’s also a frightening thing.

“My feeling is that the kind of rebellion that will change anything meaningfully here will be very quiet and very individual and probably not all that interesting to look at from the outside…

“Violence is interesting and horrible corruption and scandals is interesting. Rattling sabres and talking about war and demonizing a billion people of a different faith: all that is interesting… “Sitting in a chair and thinking about what all this means, and why what I drive might have something to do with how people in other parts of the world might feel about me probably isn’t that interesting to anybody else.

“I’m a writer, I’m not a politician, I’m not a political thinker. I’m just a scared little American living in California.”

(Full unedited interview is here)

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Sublime launch!

The amazing Yvonne Blomer has completed her massive editing project – a trilogy of poetry anthologies about water – Refugium addressed concerns about our oceans; Sweet Water, the watersheds; and now Sublime: Poems for Vanishing Ice makes its debut (with snowcones!) on World Poetry Day (March 21) and (March 22), at Open Space. The launch days include joyous mingling, workshops, and  lots of other stuff. Here’s the story so far – hope you can join us!

Saturday March 21 Gallery hours from 12-5
Launch from 5:30-9
12-9 – Exhibit of visual art, videos and knowledge displays
12:30-2 – Ekphrastic poetry and collage workshops
12-5 – CRD Table “A Drop of Water”
5:30 evening event begins: public coming to attend the reading can come early to view the art and videos and interact with the books and collage table
7:00 launch of Sublime: Poems for Vanishing Ice
Yvonne opens the evening reading and performance. Poets will read dispersed by performance art by Grace Salez, Judie Price, Jane Story
9:00 event ends.
Sunday March 22 Gallery from 12-5
12-5 – Exhibit of visual art, videos and knowledge displays
12:30-2 – Ekphrastic poetry and collage workshops
12-5 – CRD Table “A Drop of Water”
3-4:30 – Second reading with questions from audience
4:30-5 – mingle, chat, vide videos and art Auction of Cover Art posters

 

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Planet Earth Poetry – Readings by Volunteers, Victoria 2026

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Poetry at the Goldfinch

Colwood’s new arts centre is called the Goldfinch Arts Centre. Featuring visual arts and a beautiful reading space, it’s perched near the Esquimalt Lagoon, with walking trails and a poetry post nearby. Barbara Pelman and I gave the inaugural poetry reading there in October, accompanied by musicians Doug & Shelley Thorsteinson, and David Grove, one of the municipality’s councilors who helped make this centre a reality.

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