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food & poetry, but mostly the poetry of food

Food • Writing • Poetry

February 20-22: Terroir: Identity & Seduction; Saskatoon
A conference about Terroir — in Saskatchewan. Why not? Some interesting speakers and entertainments planned, as the participants toss around ideas of sustainability, gastro-tourism, geographic indications (appelations), ecomuseums and rural development initiatives. I’m expecting some good music, eating & drinking too.

February 23-March 8: Fair Trade Fortnight; UK
In England, recent research finds that 70% of British consumers now recognise the Fairtrade Mark, and more than a third of people want to see more Fairtrade produce available in cafes, restaurants and pubs (34%, up from 25% last year). Fairtrade is more than a fair selling price and marketing scheme for goods; it’s a fully audited system of trade that assures that the workers who grow, harvest or work with those goods are fairly treated and that their communities – not just the business owners – reap a benefit (the ‘social premium‘) which goes towards improving health, education and living standards for all. Thousands of producers in poorer countries depend on the system for a fair price for their product, fair trading conditions and market access. Britain celebrates and promotes this work with Fairtrade Fortnight, which this year runs from February 23 through March 8th. Perhaps we smug North Americans could get on this bandwagon a bit more – if British supermarkets like Sainsbury’s can bow to consumer pressure and stock only fairly traded bananas, why do I never see any in Canada? (In Canada, the process is handled by Transfair)

Yesterday, at St Peter’s
And one more local event was aperitivo hour at the writers’ colony last night, which featured Yotam Ottolenghi‘s wonderful caramelised garlic tart. Here’s my picture of this food’s horizon of caramelised garlic, golden nugget squash (thanks Jim!) and goat’s cheese:

And here are some Scottish socks complaining in falsetto about Ottolenghi’s pics:

[youtube=http://www.youtube.com/watch?v=KYb8aLQszv4]

The other day, I was talking to Jim the gardener who had spent some years in France, and time in Spain, and inevitably therefore the conversation wandered into quince territory. I’d seen quince (mele cotogno) trees growing in Herculaneum. In Spanish it’s known as membrillo, which is also the word used to describe quince paste – a good companion for cheese and which I read here is, itself deriving from melomeli (more about this below) the etymological ancestor of marmelade.

So then I was looking at my beautiful little book about foods of Pompeii which I’m crawling through with my limited Italian. It’s called le stagioni dell’antica pompei: recette farmaci e conserve, and includes a few recipes, including one for preserving quince (Conserva di mele cotogne) and making melomeli – a kind of honey/fruit wine used for its curative powers, to treat fevers and liver, kidney, or urinary ailments; as an astringent, and to facilitate digestion and relieve dysentery.

The basic method used in Pompeii was to pick quince when at their ripest – on a dry day in a waning moon – and then remove their fuzz, layer them in a glass container covered with a woven wicker cover and pour liquid honey to cover. My book says that this also produces melomeli which is used to treat fevers. But the melomeli recipe attributed to Apicius requires adding to the quinces a mixture of defrutum (grape must reduced by half) and honey. And defrutum is thought to be the ancestor of balsamic vinegar.

So food once more ties the past to the present in an edible package. Let’s celebrate on this wintry day with a little Hot Chocolate, courtesy food poet Leslie McGrath.

We had a chat in the lounge the other night which raised some buzz about wild bees. In BC we have Blue Orchard Mason bees (Osmia lignaria) which emerge before the honeybees (Apis mellifera) and do faultless work in the apple trees. They don’t make honey for us, but we need them for pollinating our fruits and flowers so there’s a lot of interest nowadays in making them welcome by building them little homes. These can be made out of scrap lumber, rolls of paper or slatted extravagences.

These bees are subject to mites – not the varroas that imperil honeybee populations worldwide, but other varieties, so the houses should be cleaned (I heard that you can soak them in bleach solution, or if they’re made out of scrap lumber you could burn them at the end of the season and make new ones).

We also get visits from leaf cutter bees (Megachile perihirta) who decorate our rose leaves with nice round holes, and in return pollinate all kinds of things.

Here on the prairies, apples bloom and honeybees buzz at closer times on the growing calendar, so that’s why prairie honeybees can make apple blossom honey and layabout coastal bees can’t.

And there’s another bee, a relative of the Blue Orchard bee, the Alfalfa leaf cutter bee (known as ALB, or in Latin, megachile rotundata), which is prized – and bred – in these parts to pollinate alfalfa. Alfalfa is tricky for honeybees to pollinate, our bee-breeding writer colleague told us, because it’s a long way into the stamens, and they’re apt to lose the pollen on their way out. The leaf cutter, though, is a hard little nipper and can do a much more efficient job.

The world is struggling to maintain its population of wild bees as much as its honeybees; and much the same culprits are killing off both populations: urbanization/loss of habitat, pollution, pesticide use, and mites. In our relatively sparsely populated country we are lagging behind the losses, mercifully, and maybe temporarily; so the bee breeders in Canada sell a lot of bees to our neighbours to the south. We can all help in our small ways by building bee houses and cultivating bee-friendly plants. And holding off on the pesticides!

While you’re at it, if you belong to an organization that might be relevant, you can join the campaign to support the Saskatchewan Organic Directorate‘s Organic Agriculture Protection Fund, to let the Canadian Food Inspection Agency know you want Canada to withdraw its approval of Monsanto’s GE Alfalfa. This substance was approved in Canada in 2004, and in the US in 2005, but in 2007 an American federal court found that the US Department of Agriculture’s approval of the crop was illegal on the grounds that it lacked a thorough Environment Impact Assessment, a decision affirmed last September and a national ban (in the US) was upheld. Because alfalfa is at the bottom of our food chain – essential for crop rotation and animal feed – cross contamination would bring our organic farming business to its knees and would contaminate just about every animal product we eat. Because we lack labelling for GM products, we wouldn’t know anyway. The SOD campaign deadline for supporting groups is February 28, 2009.

Several of us sat in on a web conference call this week to learn more about how the Google Book Settlement affects Canadian authors. The call included a review of the powerpoint presentation found here in pdf, on the Access Copyright site.

There is more information available on Google, including a way to check whether your (in-print) books have been digitized by Google up to January 5, 2009, and are therefore covered by the settlement.

Be warned, you must create a Registry account in order to search for your books, and this registry asks for a lot of personal information; you can’t proceed to the search screen until you provide it. Surely this is some kind of violation of privacy? I have written to Rust Consulting (a Minneapolis-based “trusted leader for complex data management…claims processing and award distribution”), who appears to be the owner of the registry, with the following questions; I’ll let you know if I get an answer:

• Why is this amount of information required for a search to see if I’m included? Why not ask for it only if/when the search has produced results for a claim?
• If I’m not included, what do you intend to do with my personal information?
• Why does your form not explain which fields are required fields? You obviously know which ones are required.

But back to your created works. If your books are covered, you have until January 5, 2010 to claim for payment; or until May 5, 2009 to opt out (if, for example, you want to pursue your own claim through the courts with Google). The money set aside for compensating authors for the violation of copyright entailed by the digitization project amounts to a stonking great payment of around $60 per book for single-authored books. Hurrah! Enough for a bottle of champagne (or slightly more cava or prosecco).

The reason authors are pursuing this is that Google, whose stated mission is “to organize the world’s information and make it universally accessible and useful” (while reaping huge corporate profits themselves), has in this ambition conveniently side-stepped any responsibility to allow authors to earn a living from their writings. Which is the whole point of copyright.

During the web conference, one author wondered why libraries thought they had the right to offer their collections for free digitization, when they do not own the copyright. Nobody had a good answer on this call; it would be interesting to hear a library’s reasoning.

The whole process is skewed towards the interests of everybody except the people who created the work being passed around for free. The libraries who donate their collections to the project get a digitized copy back; the authors of those works do not.