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Italy

Belgian cuisine to kitchen gardens

We said a fond farewell to Peter Schollier on Wednesday, after an entertaining journey through Belgian cuisine and the poles of food neophilia and neophobia.

Belgian cuisine, which for most of us (who might think of it) means moules et frites, or Belgian waffles, or perhaps even waterzooi, has been subjected to scrutiny and refinement by modern Belgians and is now a large and growing and diverse – and as we might expect, somewhat regional – gastroterritory. Which is what you get from a country that only achieved independence in 1839, after centuries of wandering borders and serial occupation by and influence from the big guys on every side. Anyway, the only Belgian restaurant I know of outside Belgium is Belgo in London (its founders were a Belgian and a Canadian!); Schollier says that the incomparable Leon’s now has branches in Paris.

He then stepped carefully through the history of post-WW2 dining habits in Germany and Italy, building a case to compare the relative adventurousness of the Germans with the nationalistic, if not regionalistic preferences of the Italians. It was a story we’ve certainly seen played out ourselves in Italian restaurants and markets: no foreign dishes or products besmirch the menus of local eateries, and it is fiendishly difficult to find ‘foreign’ ingredients in traditional food retailers, including the open air markets. Which makes sense in many ways; it is absolutely consistent with the vision of Slow Food, for example, which advocates the preservation of local cuisines. But a tough course to follow with today’s international appetites: even in Italy the workforce is swimming with foreign labour which will surely have some kind of effect down the line.

I was curious about the kitchen garden (potager in French) class as I remembered the term from living in England. In Canada I think we exclusively used the more prosaic term ‘vegetable garden’. Which to the niggler doesn’t completely describe something that typically includes fruits and herbs.

Antoine Jacobsohn, from Le Potager du Roi, Versailles, is a specialist in the history of food and horticulture and he shared a bit of his ethnographic research into gardeners and gardening.

In one sesson, he gave us what must be a preview of the paper called “Hot Bed Techniques and Morals: Out of Season Produce in Early Modern France” which he’ll be delivering at a conference in Glasgow March 15-17 (Gardening: Histories of Horticultural Practice). He told us about hot beds which were used by Parisian market gardeners (and others, but Paris was our focus) to force vegetables out of season, with the aid of bell jars (aka cloches) and frames. Pretty much the same tricks used by home and allotment gardeners today. The morality discussion about out of season produce – is it right to trick nature into producing greater yield which, by nature, is less flavourful than seasonal produce? – is, he argued, not a contemporary one, but actually started sometime around 1600.

We learned that, for Parisians, the split between production and consumption only really happened in the 1960s when Les Halles, the vast central market, as well as the city’s slaughterhouse (from where the science museum, La Cité des Sciences et de l’Industrie now sits) were moved out of town. A good idea in many ways – traffic congestion and hygiene among them – but it did remove food’s origins from the lives and sight of the population who were buying it. The central market used to be a popular meeting and social place outside market hours (which were few as they only traded for four hours in the early morning). The new market at Rungis is ringed by roads suitable for road transport and is not particularly open to visitors, although a determined punter can get there by bus and perhaps manage to pay an entry toll for a look round.

He concluded with an overview of his oral history project, discussing with food producers around Paris their views on the food products of today. He surprised most of us, I think, by reporting that the people he spoke to are by and large pleased and proud of the food they produce, and consider it better in many ways than what was grown in the past, in terms of hygiene, cultivation methods, nutritional value and yield. They did not always evaluate it in terms of flavour, but those who did were able to state that what had tasted best in the past was also the trickiest to sell in high volume. Quality is a perishable commodity, and that’s what makes it hard to produce, difficult to distribute, and of course expensive to buy.

Kitchen history and some pics

Had a great lecture today by visiting Belgian historian Peter Schollier, about kitchen workers in 19th century Brussels, with more to follow over the next couple of days, on food and identity, changes in food culture in Europe since 1945, and food culture in Italy vs Germany. He talked at first about the professional chef, how the title is bestowed rather than handed over on a piece of paper, having been earned through apprenticeship and observation.

It called to mind for me something said in We Feed the World, about how the industrial-scale food producers are run like cold-blooded corporations because there is no one at the top of these companies who worked their way up from the bottom, who understands farming as a learned skill.

In that context I particularly liked this text quoted in The Omnivore’s Dilemma: “Farming is not adapted to large scale operations because of the following reasons: Farming is concerned with plants and animals that live, grow, and die.”

And – timely, this – we’re looking forward to hearing about kitchen gardens from Antoine Jacobsohn this very week.


In case you were wondering where everyone was on Saturday.. I found them at the market on via Verdi. All of them. And their socks.


The Italian rule of construction seems to be: never use one sign when you could use eight. Or eleven.


Fido Park, en route to Bologna.


Colorno this evening. Daylight! Waning daylight, but… daylight!!

Piazza della Pace, by day…

…and by night.

Nutella, Faust, wine and cured meats

Corrie passed along the important news about World Nutella Day which is coming up very quickly, on February 6.

Last night a group of us shared a box at the opera to see The Damnation of Faust. Reviews from our company were mixed, but I think it was agreed that overall the second half was better than the first, all beautifully sung of course, by a very large cast, but possibly overwhelmed by some of the visuals that were projected over the proceedings, and the choreography and circus work were a bit much. All in all I enjoyed the evening, though thought I sensed a touch of Lord of the Rings in the depiction of hell, and a lot of loin cloths were used in the making of this opera. Anyway, can’t come to Italy and not see opera, even a French one, so I’ve got that one under my belt.


We have been having “sniff parties” chez nous. MJ has a pretty comprehensive wine aromas kit which we’ve been working our way through with some diligence. We sniff 18 different bottles containing everything from acacia to leather to chocolate to mushroom to smoke, and then sample some wines to see what we can detect in them, and then we eat nice food. This week’s menu featured MJ’s gazpacho – an unorthodox version apparently as it lacked bread, but it was beautiful without – and the near unpronounceable kolokythokeftedes (zucchini cakes with feta and mint). Mint was actually the hardest ingredient to find, but I bought a bag from an erborista, which wasn’t quite right so to me it tasted a bit like mint tea, but it went down all right with some tzadziki. Corrie brought an Orange- cheesecakey- moussey- souffle- kind- of- thing, I think that was the official recipe name, and topped with blood oranges it was delightful.

We kept our menu quasi-vegetarian because we’d spent the afternoon doing a meat tasting, which was exhaustive and somewhat overwhelming: 21 different meats I think. I’d missed the salami tasting before Christmas, and this time we were doing only cured meats made from whole cuts. So we had prosciutto crudo e cotto (raw cured and cooked hams), some smoked hams and a couple of different kinds of lardo which were surprisingly good, even if we did have to take them without the requisite hot toast.

Some Culatello and Culaccia, Spalla crudo and cotto, Prosciutto di Sauris (a whole smoked prosciutto crudo), Alto Aldige (smoked), Cinta Sinese (Tuscan pig), Jamon Iberico, some black pig prosciutto with flavours of blue cheese; and the lardos came later, which I didn’t photograph.

Many prosciuttos: 16 months, 24 months, crudo and cotto, smoked and salted.

Milk prices, wine history, more olive oil


We had a beautiful weekend in Parma: a cool and clear Sunday, ideal for a stroll by the river, after a sprinkling of snow on Friday. That was a meteorological Australia Day gift for our Ozzie colleague, who’d graced us that afternoon with bone fide Vegemite sandwiches, Mintos and Fantales. Friday night several of us checked out Shri Ganesh,the Indian restaurant in town, and it was good: wonderful tandoori chicken, dhal and samosas, and lots of other things too.

Meli has passed along a timely story from BBC News about milk prices and farmer underpayment: A woman sat in a bath of cold milk outside Parliament in protest at the price per litre dairy farmers are paid. (And if you want to support dairy farmers in a real way, you might like to pick one off your morning pint, if you’re lucky enough to get the ones with the lonely hearts ads on them.)

Meanwhile, more classes since the great pig farm visit of ’07. Since Wednesday, we’ve had some wine history, wine technology, sensory analysis, more olive oil tasting, and a dash of semiotics. Phew. Here are some highlights.

Wine history: I was delighted to hear Allen Grieco speak in support of Retsina, the Greek wine that was born from an ancient quest for preservatives – and one turned out to be pine resin, which led to a characteristic aroma and flavour, which nurtured a taste, which only began to die when foreign tourists started to swamp the tastes and production values in Greece within the last thirty years.

In my experience you are either born a retsina drinker or not. Our family was divided on that point. I’d like to suggest maybe it’s a genetic thing, like tongue-rolling? Anyway it made me look forward to visiting Crete again, as I remember well the delightful bottles of retsina made in Chania that perished on my last visit.

Sensory analysis… more statistics. Horrible stuff. And discretion forbids me from saying anything more about the nature of the class; indeed, the very need for discretion says all that should possibly be said about that.

And I would have thought that all that kind of complex thinking about communication in the form of signs (present through their absence) should have made me ready for yesterday’s start in semiotics. But not.

I prefer the oil and wine studies.

Oil tasting was, as always, delightful in every way. We had Greek olive oil day yesterday. The mystery factor was a second tasting of one of the oils after it had been heated to below the smoking point (which no doubt everyone but me always knew was 180 degrees c, right?). So even though it was just heated and cooled, with nothing cooked in it, the flavour was totally gone. It had none of the aroma of the original wine, and smelled and tasted a bit like popcorn. A helpful reminder about (a) keeping your olive oil cool, dark and away from exposure to oxygen; and (b) don’t cook with the good stuff! It’s meant to be added as a condiment after the cooking’s finished. Heat will bring out its flavours, but cooking it will only kill them. A fine line.

You can make it into mayonnaise, if it’s not too bitter or peppery: very pretty. (Guess which one was made – not from olive oil – by Kraft?)

Another useful tip for those of us maybe schlepping wondrous bottles of extra virgin olive oil thither and yon, fresh from some exquisite pressing in far-flung places: you can freeze it if you need to. But once you thaw it, use it up faster than you would fresh, as it will be that much more fragile. As we never tire of hearing, olive oil does not improve with age: its power, aroma and flavours dissipate as time goes by.

Wednesday: Culatello and the tale of the black pigs

What a difference Wednesday’s trip was from Tuesday’s. We travelled to the village of Polesine Parmense to visit the Antica Corte Pallavicina – home of some prized artesanal Culatello di Zibello and the much revered Al Cavallino Bianco (“white pony”) restaurant.

Polesine’s very name, according to our guide, means village that has been destroyed many times by the Po River (Po + lesionare/to damage), which has a history of flooding. Although it was very low when we were there – we couldn’t see any water at all from the banks we walked along – it did overwhelm this area massively in the floods of 2000 (which had also put another of the restaurants we’ve visited under water). The climate favours culatello production: high humidity coupled with great heat in the summer and cold temperatures – normally below freezing – in the winter. Artisanal culatello aging takes place in cellars, using windows to regulate the flow of air rather than automated humidity and temperature controls used in industrial production.

One of the cattle to be seen on the property where, later this summer, a high end Agriturismo will be opening, with guest rooms in the castle.

The place is owned by by the remarkable Spigaroli brothers. We were shown round by Luciano, the businessman; Massimo – a distinguished chef and president of the Culatello di Zabello consortium – was unfortunately away, but we heard a lot about him both from his brother and from last year’s students. Massimo’s passion for pigs is legendary, and he’s gone to astonishing lengths to build the farm’s heritage breed herd of 500 – the only free range culatello pigs in Italy we were told. This fact is not due to the innate cruelty of the Italians, but to the scarcity of land available to most pig farmers here (but why then, I wondered, is there free range pig farming in tiny wee England? More arable land than mountainous Italy, at a guess. And perhaps due in some part to the highly vocal, highly visible animal welfare lobby in that country which as far as I can tell has no real counterpart in Italy).

The pigs Massimo has found and raises to use for Culatello di Zibello for this operation are black pigs, similar to Spain’s Pata Negra (cerdo ibérico) pigs. They are free range only in the summer months and cost a lot to raise, because they are not suited to rearing indoors in crowded sheds like the prosciutto pigs. He wanted to raise them in traditional ways, using cereals produced on the farm. The only way he can do this is to fund the Culatello di Zibello production with income from the restaurant.

We started in the production area where some new pork thighs had just arrived. It’s a very small production, deliberately so, to control quality. The three men – Roberto, Carlo and Kumar (a vegtarian from India) – working the table were trimming and preparing the meat, which arrives in the same shape, more or less, as a prosciutto ham, but only the large part of the thigh is used, the bone is removed, and the meat is sewn into a pig bladder. The size of the pigs used for culatello production is different as well: these porkers are 250-300kg when they are slaughtered (as opposed to the 140kg prosciutto pigs – which are again bigger than commercial pigs from Northern Europe). So that makes them more expensive, because it costs more to raise pigs to this weight.

Roberto prepares to trim the ham. After he has trimmed and de-boned it, it’s whacked and trimmed precisely into its characteristic pear shape, then trussed, rubbed with locally produced Fontana wine and garlic, seasoned with salt and black pepper, and then refrigerated for ten days.

After ten days, during which time the ham is massaged daily, the ham is washed and placed in a pork bladder. Roberto stitches it closed:

and weaves it into its characteristic shape with string:

Done:

An artesanal Culatello di Zubello will carry three labels: one identifying it as Culatello di Zibello; one with the label of the consortium; and one with the label of the producer. What is sold in restaurants or delis as simply “culatello” is not produced in accordance with the consortium’s standards; what is sold as Culatello di Zibello DOP (and lacks that third tag) is not artesanal, using traditional aging cellars, but has been produced in the eight villages of the allowed region and is likely to be the product of an industrial scale production.

We moved into the cellars to inspect the culatellos hanging from the rafters, enjoying the Po breezes.

Moulds on the outside of the ham are part of the aging process, as the hams develop their character.

Some Culatello di Zibello that has been aged 21 months and sliced in the typical ultra-thin slices — which you can and should eat with your fingers.

Finally got to taste some lardo. And it was… lardy. But it had definite texture, a bit chewy, and the seasoning was lovely. Perhaps on hot toast it would be better. But I was swiftly distracted by the arrival of some awesome tortelli (hot and flowing with melting cheese and spinach.. or was it chard) and some interestingly flattened gnocchi in a tomato sauce.

A fantastic cheese tray. Top row: not sure about the first one; second one is Gorgonzola (dolce); then Pecorino Toscano; Parmigiano Reggiano (24 months); bottom row: something very ripe and runny with black pepper coating (not sure what it was); bottom right-ish is Caprese (goat cheese) wrapped in chestnut leaves.

Dessert: a delicious, mildly alcoholic, vaguely custard-like, pebbled with almondy? crumbs signature dessert accompanied by gelato (frutta di bosco – berries or mele – apple). After coffee we sampled some of the house-made liqueurs and with the full complement of Antica Corte Pallavicina wares in front of us – half a dozen kinds of salami, Culatello di Zibello, wines, liqueurs – forthwith invested collectively and decisively in the retail side of the business.

Tuesday: the pig breeder and then lunch at La Nonna Bianca

Phew. I have been in more than one barn in my time but never one that smelled like Tuesday’s. This was a day to sober the hardiest meat eater: when we parted ways at the end of it I was reminded of people leaving a funeral.

Our guide through this version of hell was Francesco Sciarrone, the veterinarian and meat inspector who had previously talked to us about animal welfare and slaughterhouses. He and the pig breeder answered questions afterward, and at one point someone asked him how he felt about eating pork, witnessing as he does the entire grim saga from industrial pig production through slaughter every day.

Traditionally, he observed, people ate meat once a week, or maybe every couple of weeks; nowadays we expect meat every day, even several times a day. So, his implicit reply was: if you want meat every day, this is the market economy’s way of fulfilling that request.

He told us he himself doesn’t eat meat every day; he has it maybe once a week, and for that he goes to the butcher in his town, so he knows how the meat was raised and who is slaughtering and processing it. So he pays four, five or maybe six times what we’d pay for the meat of the animals in those hellish sheds, but that’s what it costs to raise it humanely. And he’s fortunate to be in a part of the world where small scale butchers have not yet been entirely driven out of business by supermarkets. (I recently saw some figures for England: The number of butchers in Britain has declined from 22,900 in 1980 to 6,600 in 2005.)

I guess that makes it vote with your feet time. Here’s the Italian version of where that pork chop on your plate comes from:

We kitted up in some protective plastic for the occasion and that kept the muck off us (but was more for the protection of the pigs from infection). The smell when we walked in to the sow shed was overpowering, overwhelming, persistent.

According to the EU, “Sow stalls are the most widely used housing system within the EU because they allow individual rationing, prevent aggression, are easy to manage and occupy little space. However, in some member states, the use of individual stalls for pregnant sows has been made illegal or is currently being phased out.” Signatory states have until 2013 to change their systems, but the stalls (aka gestation crates) can still be used to confine the sows for up to four weeks after gestation, according to the US Humane Society’s report on the subject (they also have a short video clip about sow stalls on their website). I was grateful to learn that the UK has banned these since 1999. I don’t know if there’s legislation governing this in Canada, but the largest pork producer in the US has just announced its intention to do away with them.

Anyway, here – from the point of insemination (usually artificial), for at least the next three weeks – they stand, sit or lie down, because that’s all they can do.

When after 21 days they are seen to be definitely pregnant, they are moved to another barn – which we didn’t see – to finish the gestation period, about three more months. (My reading tells me that at least 60 to 70% of US sows are housed in stalls throughout the entire gestation.) Presumably the ones who didn’t get pregnant the first time get to stand there for another round. If they’re lucky.

Then when they are ready to give birth, it’s into the farrowing crates; these too are designed so that the sow cannot turn or move other than to stand, sit and lie down, with what is called a “creep” area for the piglets to move around her. She is barricaded from them so that she does not lie on them (and damage the product). Even when they are safe from crushing, the farmer said there would be around a 10 percent mortality among the piglets, mainly from issues to do with development and feeding.

Once the piglets are weaned (by law when they are at least 4 weeks old), the sows are returned to what the EU coyly calls “service accommodation,” namely, in most cases, sow stalls. They can expect to live like this, moving back and forth from one crate to another, for their entire lives, which for good breeders last 6-7 litters (around 3 years). Longer lives than the pigs we eat, which are slaughtered when they reach prosciutto weight – about 9 months and 140kg.

When they’re weaned, the piglets move into teen (weaner) housing, kept in family groups. Not because we love them so, but because it keeps them from fighting for hierarchy and damaging the product. The promising ones – from a size point of view – are branded on the hips with PP – Per Prosciutto. We noticed this on some of the hams we saw at the prosciuttificio the day before.

This is all the fresh air these pigs get in their lifetimes.

When you live in conditions like this, you get sick. This was the top of the nearly overflowing bin we passed on the way into the barn. Before slaughter, there’s a resting period for animals who’ve been on medication, to try to get the drugs out of their system – to minimise harm to the people who eat the product.

The illumination beyond the door, which looks like daylight, comes from the windowed or skylit outer areas of these barns; it’s not an outdoor run.

Again, kept in family or familiar groups to keep them from fighting. I guess this is where they stay either until they reach slaughter weight or until they are transferred to another farm to be “finished”. One thing I am guiltily grateful for: that our tour did not take place in the heat of summer, which I’m told is hot and humid – temperatures in the thirties and forties (celcius). I cannot imagine what those sheds must be like then.

The smell hung around for hours as we debriefed soberly afterwards at La Nonna Bianca, the very trattoria that waylayed Carlo Petrini on his way to talk to us. Even without the salumi, which we declined, the meal was pork-heavy: this is after all pork country. We each said, I’m sure, our private apologies to the pigs on our plates. I mulled over what Petrini had said when asked about animal welfare, something poetic about how you eat the violence you wreak on other living beings.

So, the food began its march across our tables. Petrini’s favourite: tortelli verdi (what we’d call ravioli, though by definition, it seems that here, ravioli are meal-filled pasta; these vegetable ones are filled with ricotta and chard, or was it spinach), followed by equally sublime tortelli di zucca (sweet pumpkin filling) (–they disappeared too quickly to photograph), both served with butter and parmigiano–reggiano.

Coppa di maiale arrosto con patate all antico – rich, soft pork with fabulous pan-roasted potatoes, golden and tasty and speckled with crispy bits of rosemary.

Guanciale brasato con crostoni di polenta (braised pork cheeks) with fried polenta (getting a little full by this point..)

Gorgeous desserts – a kind of standalone creme brulee, a fruit tart and chocolate pudding.