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Festival and farmers’ market on World Cup weekend

A little more on the festival weekend. Every Saturday morning there is an excellent Farmers’ Market in Courtenay/Comox, conveniently placed right next door to the festival. So the minute we’d staked our tarp we marched ourselves over there to see what was on offer. There was a looong line snaking towards one of the several bakery stalls and I later heard it was all about the cinnamon buns. But I went elsewhere, and bought some incredibly good cheese bread, a fantastic pumpkin muffin and some durable vegetables for snacking on, including peas in the shell and cauliflower florets. This morning I came upon a clipping that’s been floating around my office for a while that says certain vegetables, particularly broccoli and cauliflower, are naturally abundant in the compound sulforaphane (SFN) which is believed to reduce the risk of developing hereditary cancers.

Back at the site, I was greatly amused by Todd Butler who hosted a Sunday morning workshop. Acknowledging they were up against the gospel hour on the big stage he said, thank God for atheists or we’d have no audience… Paul Reddick’s concert was well attended by a well baked Sunday afternoon crowd. One of them in a mellow stupour in front of me piped up at the end of Villanelle. Hey, he said, did you write that one? Yes I did, said Paul. Man, that was beautiful, said the listener… Sunday afternoon in the barn was hot in oh so many ways when the giant talents of the Campbell Brothers shook the pigeons loose from the rafters. As this musical mayhem was immediately followed by epic and ecstatic helpings of Los Rastrillos, the birds didn’t get much rest till much later… Crankiest moment of the festival came courtesy Jamaica-based Anglo-German punker Ari Up who dropped out of her scheduled workshop to feature herself in another and then tried to run overtime, and when that didn’t work she — um… the polite word is remonstrated I think, although her arguments appeared to have far fewer syllables than that — with the beleaguered organizers. I suspect she’s not getting a repeat invitation. Even if her mom did marry Johnny Rotten. (Well ya didn’t see Peter Yarrow‘s daughter or Joe Fafard‘s son behave that way. )

Charlotte and I slipped away midday to cheer with the Italians and weep with the French in the air conditioned comfort of the bar at the local golf club. It was harder than it should have been to find ourselves a World Cup venue (shockingly, we were two of only six footie supporters in the pub) and near impossible to find an authoritative start time for the match: there was not a newspaper in sight and I must have asked at least a dozen people at the festival (including the Information booth, the First Aid booth and a pair of homesick Ozzies working the Mediterranean BBQ kiosk) before a man at the Security booth said he’d heard from a dedicated soccer fan that the start time was 11:00 (PST). Cut no ice with the bartender who had looked it up and decided it started at noon, so we missed the first 21 minutes before he got around to switching it on. And of course with two goals in the first 19 minutes, that was tragically poor timing. Since it all ended I’m tapering off by checking at intervals for breaking news of What Materazzi Said To Zidane To Make Him Do It.

Festivalia on the Island

Just back from a weekend sitting on the cold hard ground, alternately sheltering beneath waterproofs or burning under a too-hot sun, having my eardrums blasted by massive speakers, my sensibilities overwhelmed by fried foods, cold drinks and new music. Yes, it’s festival time again. I was drawn to hear our local wonder Eugene Smith, poetical blues guy Paul Reddick and the always interesting Steve Earle, but a couple of new (to me) standouts this year included a ten-man Mexican reggae epiphany, Los Rastrillos, and Jon Voigt’s musical brother Chip Taylor (songwriter of Wild Thing and Angel of the Morning) with fiddlin’ singer Carrie Rodriguez. Favourite festival food was cheese and potato taquitos from Tita’s – served with Oliva’s salsa (smooth and dangerous: tomatillos, avocado, sour cream, jalapenos).


Eugene Smith


Chip ‘n Carrie


Los Rastrillos

Prior to departure I had to say a sad farewell to my fluffy lodger Boris who has gone back to hang out with his fellow furbies at Animals for Life, dreaming no doubt of the pleasures he found in Anton’s dog dish (and Anton well pleased to be rid of him). With his charming white socks and endless frisk I’m sure he’ll be among the first to find a new home.

Lady Sara

A year ago this week we lost our lovely Sara: Australian Shepherdess extraordinaire, aged 16.

…your gaze could cure
multitudes, the silk of your head
soothe any worry.
You teach us to taste
each morning as if it’s our first.

And day after day you lie
near my feet, dreaming and fixed
on some distant thing that is, at last,
outrunning you.

Last night we went to Alix Goolden Hall to see/hear a Ballet BC performance of the impossibly lovely Stabat Mater by Pergolesi . I hadn’t realised till I was home reading my cd liner notes that Pergolesi died at 26, and this was possibly his last composition. Quite a finale. In the recording I have, a countertenor, Michael Chance, sings the alto which is extraordinary, and it was recorded at Church of St Jude-on-the-Hill, Hampstead (London) by The King’s Consort, who play period instruments. “Forty minutes of undiluted peace” said one of the Amazon reviewers.

Off to dine with the relatives tonight, and I’m bringing dessert. Thank you Delia Smith (and my apple tree) for Baked Apple and Almond Pudding.

Music ‘n poetry

Just received my brochure for the Wired Writing Studio which starts with the Banff Centre residency October 2-14, 2006. A wonderful thing is Wired. Robert Hilles and Marilyn Dumont will be excellent poetry resources. Fred Stenson runs a comradely ship, with the hilariously droll technical support stylings of Chris Fisher. The food’s not bad either, and there are some great deals on concerts for participants: I began my lifetime of fandom to the Jaybirds early in my stay, and also attended a bone-shaking appearance by Steve Earle and the Dukes (I prefer him acoustic, thanks, but good to have had the experience). And the Calgary/Banff Wordfest happens during the studio time as well. Geez, what am I waiting for??

Among the many musical offerings we noticed in Austin, the best ones all seemed scheduled to begin after we left. The rodeo, the SXSW conference, everyone but AWP seems to schedule music. (Actually that’s not fair: there was a boogie night at AWP that we were simply too whacked to attend.) Playing in town after we left: Eliza Gilkyson, Ruthie Foster, The Gourds, Bela Fleck & the Flecktones, Lucinda Williams, Rhonda Vincent. It’s not fair it’s not it’s not. But I have to think, on the other hand, why do I know about these people? Because I have seen them play way up here, at the Vancouver Island Music Festival in Courtenay/Comox, and the Edmonton Folk Music Festival. All that is except Bela and he comes up here from time to time, so I live in hope. And except Lucinda, because you have to have some event to look forward to.

So I spent yesterday meditating on oulipo. It sounds like about as much fun as you can have with poetry, but I need more than that, or do I mean less, to move me in a poem, and I wonder at the wisdom of narrowing the readership of the already microscopic readership of poetry for the sake of intellectual gymnastics. Old fartism I suppose, and there are doubtless many fine, coherent examples out there I wouldn’t guess were oulipean. Christian Bok certainly made headlines with Eunoia a couple of years ago, each section consisting of poems made of words that use only one vowel. Damned clever it may be, but it’s not for me, except in small doses. There’s no getting around the fact you have to compromise the sense of a line when you’re performing that scale of legerdemain. Anyway, I found a charming interview by John Ashbery with Harry Mathews, the only American oulipoean, which was worth the journey.

So the point of all this was that we had to invent our own form and write a poem in it for last night’s class. I decided, since I was in sonnet mode, to mess with that. I took the end-rhymed words from an existing sonnet (arbitrarily chosen; I used Richard Wilbur’s Praise in Summer) and used them as the first word of each line of a new poem. To escalate the challenge, I decided to invert the metre into predominantly trochaic pentameter (which makes sense since the chosen words were stressed syllables from the end of iambic pentameter lines) and to rhyme as best I could the first word of the line with the last, so that the poem still rhymes (murderous rhyme scheme too: ababbcbccdcdaa), but it does so at both ends of the line, which pleased my symmetrical soul. Some of the rhymes had to be feminine rather than masculine, and a lot of them are very loose, but I did what I could. And I thought I should mirror, to some extent, the meaning of the source poem, so mine is a rant about winter. It took me so long to write it ended up being an imperfect first draft and I’m waiting for workshop feedback next week before I carry on working it, but I enjoyed the challenge.

Last moments at the writers and artists colony

So, Tracy explained about the Thursday night party which ended the 2006 Winter Colony. As she was in Saskatoon reading from the works of Al Purdy, she missed our final group reading, alas, although she was there in spirit, having composed a sonnet which she printed on wood shavings, glued to bark strips, and left in her place: we were well impressed. And we had studio presentations from our awesomely talented artists, Cherie and Frances, which were just breathtaking.

Here are some snaps of those gifted souls who shared their musical stylings with us.

Brother Kurt happened along and gave us some good old favourites.


Mari-Lou brought a new classical guitar and a Leonard Cohen songbook to her hermitage and we got to hear the results of her cloistered toil. She’s promised us a full Beatles repertoire next year.


And Terry O’Flanagan – who thought he had come to St Peter’s to re-build the college entryway – became part of the colony, and all the more so (was it the snappy cowboy shirt? the Johnny Cash numbers?) that last night.

On to the next and final morning. I heard tell there was a food cellar at the Abbey, and I asked our Colony Coordinator Anne if I could have a look, and so this is what I got to see before I left.

Imagine a whole room full of potatoes!

And then there was the canned goods collection. Who could not be comforted by all those big, beautiful jars of food? And all of it grown on the Abbey’s farm. Fabulous and delicious.