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Poetry walking in Saskatchewan

Rhona-McAdam A week spent with environmental literati from around the country and beyond was stimulating, delicious and rather warm at times. The first ALECC conference since pandemic times was, as they say, an intimate affair – not everyone who could have attended was yet willing or able to rub shoulders – but protective measures such as masked indoor events felt safe and comradely.

Tuesday, the evening before the conference began, Mari-Lou Rowley, Katherine Lawrence and I read from our new collections to a live (masked) audience who joyously filled the reading space at McNally Robinson, with another 35 or so attending online through the magic of live streaming.

Mari-Lou-Rowley
On Wednesday, Mari-Lou and I attended ALECC’s opening reception (the food was excellent and plentiful) and caught up with some familiar names and faces. Ariel Gordon, Tanis MacDonald and Kit Dobson read from their new books with Wolsak and Wynn, and the “Confluence” exhibit by Susan Shantz was on throughout the conference in the next door gallery (her talk on Friday night, “Confluences of Water, Art and Science,” with collaborator Graham Strickert, was excellent)


Ariel_Gordon
Tanis-MacDonald
Kit-Dobson

Thursday I was teaching online all morning and turned up in time for the first of two Poetry Walks, with Ariel and Tanis. It was much fun – we walked along a walking / running trail, stopping at intervals to read poems to our followers in wood, fields, sculpture park. Ariel borrowed one of ALECC’s helpful balloons to guide us.

People-standing-in-field-green-balloonTanis-MacDonald_Ariel-Gordon


The setting for our Thursday night barbecue dinner was stunning; a hidden grove on the campus of our host organization, the University of Saskatchewan. The prairie dogs (Richardson’s Ground Squirrels) appeared not to have found this space, busy as they were gorging on the drifts of elm seed that covered much of the city… another sign of trouble, since trees shed seed when feeling stressed and needing to secure their genetic futures.

A river of elm seed on a Saskatoon street
Richardson’s Ground Squirrel – making the grounds  somewhat hazardous to human walkers

Friday was a long and rather warm day, temperatures starting to climb into the high 20s. Technical difficulties interrupted a video session, but it was all low tech for readings in the  “Ceremony, Desire, Requiem: The Poetics of Water and Land” panel. Sheri Benning kicked off with a reading from Field Requiem (starting with the beautiful “Winter Sleep” which was featured in film form on the Paris Review website last winter). Self-described “Indiginerd” Tenille K. Campbell followed with a passionate romp through poems from Nedí Nezu, and some straight talk on some realities of indigeneity in northern SK.


Saturday was a hot one, with temperatures forecast to reach 36c, so I was delighted to find we had a good following for our final poetry walk. Ariel, Tanis and I were joined by Lisa Bird-Wilson who read work about residential schools, while we read mostly environmental poems including a couple by Victoria poet Yvonne Blomer, who had planned the event but was unable to attend.

Lisa Bird-Wilson
Ariel reads, in the Sculpture Park
Tanis reads – finally some blessed shade
At least the pelicans could chill in the South Saskatchewan River

Channel this!

I’m delighted to have a poem included in the current issue of the Irish environmental literature journal Channel.

The editors accept poems from around the world and have managed the question of how to celebrate each issue with a launch by inviting participants to record readings and some photographic context. Then they put it all together and livestream it!

I read two poems from my upcoming book Larder, and sent some photos which the editors invited us to provide, to give context to the contributors’ lives and environments.

This issue is celebrated on Thursday November 11 at 8pm GMT – which for me is noon in Victoria. See you there?

(From the Facebook event page🙂

Details

We’re delighted to announce that the launch of Channel Issue 5 will take place via YouTube Premieres on Thursday 11 November at 8.00pm.

The online launch will feature readings by Irish and international contributors drawn from a pool of over 1800 submissions, along with photography capturing the settings that have inspired their work. We love the poems and stories gathered in this issue—ambitious, disruptive pieces that seem at home in the flux we’re living in today—and we can’t wait to share them with you all.

Also featured will be an introduction to the work of our Issue 5 cover artist, Kevin Mooney, a Cork-based painter whose practice explores the migration of Irish people and the gaps wrought in Ireland’s visual culture by this history of displacement. Kevin’s current exhibition, ‘The Erlish Tide,’ opened in the Excel Gallery, Tipperary, on 30 October, and features large-scale paintings informed by his research into the history, mythology and folklore of Samhain and Halloween. ‘Peasant,’ the painting featured on our Issue 5 cover, is taken from a body of work exploring links between the folk cultures of Irish émigrés and the cultures of the Caribbean.

Issue 5 is now available for pre-order via our website at https://channelmag.org/current-issue/.

Those who can afford to further support our work may consider subscribing to Channel to receive each new issue upon its release, or becoming a patron to also receive access to our digital archive of back issues as well as acknowledgement in print and online.

The launch video will be viewable from our website at the time of its release, or open the video in YouTube to chat with other readers and contributors during the event. We look forward to seeing you there!