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TWUC Calgary: Business & pleasure
This weekend’s Writers Union of Canada AGM, held jointly with the Writers Guild of Alberta, took place in the comfort of Calgary’s Hotel Arts – quite a step up from days of yore when we used to hunker down in the end-of-term halls of residence in universities across the country. We are, as was often discussed, an older group of writers nowadays, and well up to the delicacies that fell in our paths through the weekend.
The annual Margaret Laurence Memorial Lecture was this year delivered by literary biographer Elspeth Cameron,

whose revelations on the scale of the persecution she and her family, friends and network suffered after she published Irving Layton‘s biography (in the form of around 500 hate letters Layton sent them) sent us running for the wine jellies.
Our appetites were tempered by the discovery that the spoons provided didn’t actually fit into the charming little glasses..
Workshop sessions included an enlightening discussion about new technologies, in which Ross Laird walked us through some of the new electronic demands on our time and energies
and began addressing the question that has been asked throughout the 20+ years that I’ve been a member of the union: how do we attract the next generation of writers to keep this going? It is obvious, I guess, that our roots are showing: we began as a print-oriented union, obsessing over copyright payments and fairness in book contracts. This year’s debate and discussion about the Google Book Settlement and electronic rights indicates where things are leading. How and how much is the union to change to incorporate the writing life in largely electronic environments;
and how to attract a generation that hasn’t yet learned yet to fight together to improve its collective lot in this most individualist age… The questions will be asked for some time to come.
The Saturday night banquet was marred somewhat by the lack of chairs, in a meal designed for schmoozing and grazing, but attended by diners more inclined to sit down with enough room to wield their cutlery. The fare included some darling little pickled golden beets with chevre
Dungeness crab maki rolls
beef (this was Alberta after all)
and precious little for vegetarians, who seem to have been designated friends of the deep fryers: risotto balls were not very big or very interesting (neither the saffron aioli which was really just yellow mayo)
and the vegetable spring rolls, while they lasted, were nothing to write home about.
After a few more wine jellies and other small delectables, we hunkered down to listen as Writers Guild of Alberta president Blaine Newton
did an admirably witty job of orchestrating the WGA awards and the Danuta Gleed prize for short fiction.
There was a door prize (which I did not win) containing many desirable items, thanks to the generosity of the Calgary Slow Food convivium and its fearless and well-published leader, Dee Hobsbawn-Smith.
Otherwise, there was much to eat in Calgary. We found a good harvest in The Catch, an unlikely thing, a seafood restaurant on the prairies (the fare flown in daily, so it’s all fresh). Interesting and beautiful food:
And I enjoyed Hotel Arts’ soups, which are not described as soups on the menu, but rather Chef’s Epiphanies. I had celery & apple soup with blue cheese, and this tomato & fennel soup, both excellent:
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John Harvey’s 100th
Catch it while you can (till Friday): John Harvey on Front Row (about 19 minutes in), talking (with Michael Morpurgo and Nora Roberts) about being prolific. This is in part to mark his 100th book, Far Cry, which has just been released. The interview offers a lesson on how to cut your teeth writing pulp fiction, and some interesting comments about how to keep those ideas coming for pages and pages and pages and pages and pages…
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Compost, Nettie Wiebe, Handmaid’s Tale and bird pests
Weirdness on the Gorge. Who leaves a tethered cat on a walkway frequented by dog-walkers?
Operating as I do from a position of smug complacency atop my composter, I was comforted by this article about composting, and its assertion that “every time you cook…you’re not finished until you compost.”Nettie Wiebe was speaking at the conference where I read in February, and a wonderful speaker she was. Bernadette passed along a great article about her by Penney Kome; a terrific opening sentence:
“If it is true that we are what we eat,” said Nettie Wiebe, “then most of us are like those stuffed animals that you get from vending machines with labels that say, ‘100 percent unknown fiber’.”
Meanwhile, this morning’s junk mail folder held a personal message from Awotwi Alden who promised that Women Will Be my Resigned Slaves. Alas, I did not find out how this could be before kissing the message goodbye, but it reminded me to catch the last episode (aired Friday) of The Handmaid’s Tale, broadcast on BBC Radio 7 every day this past week. A book I loved and it made me think of Natasha Richardson in the film version, which I wasn’t overwhelmed by. If you’re quick you can catch the last four episodes here.
Our urban farming group talked about the plague of birds that is upon us. Many in our neighbourhood have had seedlings uprooted or bitten off
by birds – Peg and Tom watched a pair of robins work their seedlings, while I witnessed sparrows eating my chard leaves – and there was talk about why this should be so. We wondered if there is a bigger problem for them; that they seem to be eating things they didn’t eat before: apples and chard for example. A hard winter, ongoing urbanisation and destruction of habitat and natural food sources and – maybe? – people cutting back on bird seed, or who knows what other factors – are making them hungry.

Perhaps all that bird seed in the past helped to boost their numbers beyond sustainable limits? So instead of cleaning up on the pests in our gardens they are searching harder for food and making a royal mess of things.Which is forcing us to cover our plantings, which might give the wireworms and cutworms and other crawlies free reign on our vegetables. The ongoing battle between gardener and nature continues.
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In her latest collection, Rhona McAdam navigates the dark places of human movement through the earth and the exquisite intricacies lingering in backyard gardens and farmlands populated by insects and pollinators, all the while returning to the body, to the tune of staccato beats and the newly discovered symmetries within the human heart.
“…A beautiful, filling collection, Larder is a set of poems to read at the change of the seasons, to appreciate alongside a good meal, and to remind yourself of the beauty in everything, even the things you may not appreciate before opening McAdam’s collection….”
Rhona McAdam is a writer, poet, editor, and Registered Holistic Nutritionist with a Master’s in Food Culture from Italy and a deep-rooted passion for ecology and urban agriculture. Her work spans corporate and technical writing to poetry and creative nonfiction, often exploring the vital links between what we eat and how we live. Based in Victoria, BC, and available via Zoom, Rhona is always open to new writing commissions, readings, or workshops on nutrition and the culinary arts.




















