Skip to content
  • Announcing Ex-ville

    Ex-ville_CoverDear readers,
    I have been a sleeping blogger for these many months, but have awakened just as the leaves fall and the books launch.

    After a suspenseful summer, I am more than pleased to report that my sixth full-length poetry collection, Ex-ville, has at last made its way to the printers and will soon be available from the good folks at Oolichan Books, and better bookstores near you.

    Sporting a dynamite cover (from a photo by the marvellous Cherie Westmoreland) it includes poems never before seen as well as many that have appeared in such journals as Acumen, the Antigonish Review, Contemporary Verse 2, Descant, The Malahat Review, Prism International and Vallum, and some anthologized in the likes of Force Field: 77 Women Poets of BC, Poems from Planet Earth, Rocksalt and Walk Myself Home. I humbly hope you like it.

    Over this silent summer I’ve been preoccupied by many things, not least the final months of study which have culminated in yet another string of letters to squeeze onto a business card. These letters are satisfyingly close to my own name, and I am now Rhona McAdam, R.H.N. I have enjoyed my time at the Canadian School of Natural Nutrition and will be able to keep my ties there as an instructor (Eco-Nutrition) going forward.

    I continue to ponder the future of this blog – whether it can span food, poetry and holistic nutrition, or whether some other tool is needed. Meanwhile, for those wanting to follow my food security and urban agriculture interests, find me at my Digging the City page on Facebook; likewise I add literary notes and links to my Facebook writer page. See you here, there and everywhere!

  • London Books

    Reading at the RA

    Still a few more bits and pieces to share from my time in London, back in March, before this month, like the past couple, get away from me.

    I went to a number of events while in town. One, a reading at the Royal Academy, was themed to reflect the architectural exhibit, Sensing Spaces. Poets were commissioned to write poems inspired by the pieces and then come along and read them one evening, in and around the exhibition. The affair was a mixed success, from my point of view out there in the audience. The show carried on around the readings, with bemused art-lovers pausing to puzzle over who these people were and what they were doing. The reading spaces were not always ideal, as in the one shown above, which was a large, cavernous room with a bar – attracting a fair amount of traffic and chat and requiring the poets to bellow above the din. Which not everyone can manage, and it doesn’t always serve the poem’s quiet purpose. Another, shown here, was more intimate and atmospheric, but not always in the best way, as it featured a pebble floor which made, well, pebble sounds when anyone moved or walked over it. Still, a tip of the hat to organizers for trying to include poetry – which is incompatible with many features of our rushed, noisy lives.

    A quieter event was Carrie Etter’s launch of Imagined Sons. Most pubs in England have function rooms, mostly above the main tavern. The Yorkshire Grey in Clerkenwell had one that was perfectly sized and situated, and offered what looked like pretty good food too. A goodly throng assembled to wish Carrie well with her most recent poetry collection. We were treated to Carrie’s reading of a number of these moving and imaginative reflections on the unanswerable question of what becomes of a child given up for adoption, and how the act haunts a teenaged birth mother throughout the rest of her life.

    Other events included a visit to Poetry in the Crypt, which was, as always, a packed-out event in which poets waive their reading fee and all monies raised are given over to charity. The readers du jour were Clare Best, Robert Chandler and Jean Sprackland, who gave generously of their words, alongside many fine readers from the floor. On my way to the venue, in the crypt of St Mary’s Church in Islington, I noticed other audiences spilling out of pub doorways, as the Six Nations Rugby match was on.

    And finally, right at the end of my visit, I was able to attend a book launch by an old friend from way back, Stephen Watts, who was launching his beautifully titled collection, Ancient Sunlight. He read in his characteristically powerful style, from a collection that travels around London and Europe but remains rooted in his personal web of humanitarian and political concerns. A good literary finale, although it meant I had missed Jenny Lewis reading from Taking Mesopotamia in Oxford. And illness kept me from the launch of Heart Archives by Sue Rose. But I managed to get to quite a lot over a relatively short visit. Always so many reasons to return!

     

  • London Looks

    And where there is food, I find poetry. London rich in both. I was lucky enough to catch some readings, some writing and some launching. But first, some touristic ramblings.

    Once in a while London can offer some stunningly beautiful weather (in balmy contrast to last March’s snows) which I was able to enjoy almost every day of my visit, including a Sunday afternoon when I visited Camden and wandered past Regents Canal towards Primrose Hill, where everyone and her dog was having a picnic. Camden Market seething and happy and the weather perfect for queuing for gelato at Marine Ice – delighted to see it still there when so much else has changed, but did not get closer in case it wasn’t exactly as I remembered.

     

     

     

    And a few bits more: Seven Dials, Covent Garden, by night; the escalator in Holborn tube, and the oddly awesome London Shard.

Book cover of Rhona McAdam's book Larder with still life painting of lemons and lemon branches with blossoms in a ceramic bowl. One of the lemons has a beed on it.

“…A beautiful, filling collection, Larder is a set of poems to read at the change of the seasons, to appreciate alongside a good meal, and to remind yourself of the beauty in everything, even the things you may not appreciate before opening McAdam’s collection….”

Alison Manley

Rhona McAdam is a writer, poet, editor, and Registered Holistic Nutritionist with a Master’s in Food Culture from Italy and a deep-rooted passion for ecology and urban agriculture. Her work spans corporate and technical writing to poetry and creative nonfiction, often exploring the vital links between what we eat and how we live. Based in Victoria, BC, and available via Zoom, Rhona is always open to new writing commissions, readings, or workshops on nutrition and the culinary arts.