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Scallops, poetry and lots of SPIN
It’s been quite a week. Tuesday I enjoyed a meal at Camille‘s which was very nice food, very nicely served. Starters included some gorgeous scallops, sporting leafy hats and nestled on a bed of bacon. A nice bit of organic beef came with a curiously delicious egg that had been poached and then deep-fried and made to feel crisply oriental. And
the apple dessert trio – kaffir lime frozen ricotta the highlight – outclassed my caramel pot de crème with apple foam, but we shared. And the wines were wonderful, particularly the apricot-raisiny delights of the
Pentâge Late Harvest dessert wine, dessert wines being one of my favourite things.The Malahat Review is another of my favourite things, and its Fall launch reading at The Well was jam-packed with literature lovers. I must say I’ve seldom enjoyed a reading more. Attentive and large audience, talented and entertaining fellow readers, nice ambiance. And some rather good salt and vinegar kale chips, which in their clear plastic baggie rather gave me the appearance of a purveyor of puff than an advocate of antioxidants.
Anyway. I was up first, followed by Julie Paul reading a tantalizing beginning to a short story; then Richard Osler in good poetic form, Tom Wayman in passionate voice dedicating his first poem to the Occupy people, and Zoey Peterson sending us home to contemplate his delightful prize-winning story.
Thursday night at Fernwood Community Centre I’d guess there were nigh on a hundred of us gathered to hear Curtis Stone, the cycling SPIN farmer of Kelowna. He gave a terrific talk about his business and a great preview of the three-day workshop he’ll be leading in April.
When he started Green City Acres, he had no farming background at all – just nine years of tree planting and a great love of cycling, and so he took himself on a tour of urban farms in Canada and the US to see how urban agriculture was being done. He learned his trade from the manual sold by Wally Satzewich and Gail Vandersteen’s SPIN farming enterprise, and through a couple of years’ trial and error. And has emerged as a generous and enthusiastic teacher-farmer.
In his first year of operation he made about $22,000 and worked 16 hour days. “Like you would for any startup small business,” he says. This past year so far he’s pulled in $60,000 from the three quarters of an acre he farms – spread across half a dozen backyards. With a partner helping ease the load this year he’s been working 50 hour weeks – and adds “most of our time is cycling.” On their bikes they pull custom-designed trailers piled with tools, compost, produce, even bales of hay and a small rototiller. His startup capital costs were around $7,000 and he believes it’s possible to make $100,000 an acre.
He tills lawns in three stages to kill the grass and give himself time to test the soil for clay-sand ratios and pH level, so that he knows what amendments to use to boost its fertility. He gets food waste from restaurants and composts prolifically for his production which is organic but not certified. His first plot was a needle-strewn wasteland with poor, contaminated soil which he had to fill and remediate. He says the drug users who used to shoot up on the property still come by there, but now they come to look at the garden, which is flourishing.
He thinks that the scattered fields of SPIN farming offer a lot of advantages, as plantings are spread between different microclimates, soil conditions, light conditions, biodiversity (weeds and pests) and land configurations, so if one row or crop is lost, chances are that the other plots – all planted in standard 2″ by 25″ beds – will be ok. And growing intensively on such a small scale offers other advantages: SPIN farmers can grow a wide variety of produce in small amounts, much closer to their market than rural farmers; they have a much smaller capital outlay – hand tools and small machinery; and because they deal directly with their market (CSA, restaurants or farmers markets) their profits stay in their own pockets.
Stone is a big proponent of CSA programs, which he dubs “modern crop insurance” as it spreads the risk of growing between farmer and consumer. And the customers are well served too, by eating food that is extremely fresh, very locally grown, by someone who lives and works in their own community.
On Friday, I escorted a veteran to the cenotaph in Duncan and was rewarded with lun
ch at Bistro 160, which was chanterelle soup and a very fine roasted yam and apple salad. The fuel was needed to tackle the very large quantity of leaves that had blown up my driveway on that stormy day: gifts from the gods of mulch, to be enjoyed by my garden beds (and a whole new generation of slugs, I’m sure) over the winter. -
Breaking bread with Capital Nuts
I attended a workshop yesterday organized by the Victoria Transition Capital Nut Project in Playfair Park, a restored Garry Oak Meadow in Victoria. It attracted a couple of dozen brave souls willing to stand in the November chill and learn how to make Garry Oak acorns edible. Being the proud custodian of a very large
tree myself, and being overshadowed by a number of others, I thought it would be a worthwhile skill. We were led through the process by ethnoecologist and wild food forager Abe Lloyd.We learned about defects to watch for. Sprouted acorns (Garry Oaks are white oaks, a class of tree whose seed germinates in the autumn) are not necessarily a problem, although they are often cracked, which may allow insects or mould into the nut. Acorns with caps still in place when they fall are no good because the cap usually covers some mould. A small hold indicates that a worm has eaten the contents and left the premises. Spotting – especially dark discolouration – can indicate damage. The best way to find out is to open the nut (they are soft enough to crack with your teeth) and check. This time of year – October or November – is the best for hunting acorns. Early falls (August, September) are usually unripe or damaged nuts so should be avoided.
He showed us some samples – with a couple of English Oak acorns for comparison (there are a few of these trees in Victoria, though Garry Oaks are the native species). The ones that were still in their shells had been dried; his guideline for readiness was when the shell could be cracked easily by hand or nutcracker (or hammer). The shelled samples included some black ones which he said were still fine, but he’d hastened the drying process and discoloured them (they can be dried on racks, with fans or with a dehydrator). After drying, he ground them to flour in a blender. Because they have an oil content of about 10% they’re not well-suited to grain mills that use stone grinders, as they might gum them up (there is less oil in flour grains like wheat).
As it circulated, Abe invited us to have a sniff and a taste of the flour. We could smell the sugars in the flour, but it tasted bitter, because of the high tannin content in these acorns. The next step was to leech out these tannins, by soaking the flour in water for four or five days, pouring the liquids off morning and night, and then tasting the final product to check for bitterness. The colour of the liquid changes, growing lighter as the tannins are removed. The final sludge can be used straight away as a batter for flatbread, or dried and used with flour for flavour (bearing in mind it is low in glutens so wouldn’t make great yeast bread on its own).
Abe demonstrated his flatbread technique. He usually adds maple syrup to sweeten the bread a little, but it worked well without.
A morsel of hot acorn flatbread: just the ticket. Someone had brought some Spanish chestnuts – the edible variety which unfortunately don’t have quite enough time to ripen in our temperate climate. And local agrologist Kendell Neilsen was on hand with a sample of hazelnuts she’d gathered in the area.
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Reading at Malahat Review Fall Launch Wednesday November 9
Next Wednesday, November 9 The Malahat Review is holding its fall launch party at The Well in Victoria. The launch party is one of the things I really love about this magazine: never more than in these days of precarious arts funding, every literary publication deserves celebration. On this occasion I am delighted to be reading with Tom Wayman • Zoey Peterson • Richard Osler • Julie Paul.I have crossed paths with Tom Wayman numerous times over the years, and did so again yesterday when we shared the airwaves on CFUV radio, being interviewed by Colin Dower and Brian Mason. Tom was asked about his passion for work poems: he’s edited a couple of anthologies of these, and my poem “The Grievance” (from Creating the Country) was included in the “Less Like Ants” section of Paperwork, back in 1991. He also included “Infinite Beasts” (from Hour of the Pearl) in The Dominion of Love, an anthology of Canadian love poems published in 2001.
The publication of “Dowsing Stick” in Issue 176 marks my fourth appearance in Malahat Review since 1984, and I’m happy to be back in its pages. Hope to see you at the launch! 7:00 p.m. Wednesday, November 9th at The Well, 821 Fort Street, (between Quadra and Blanshard), Victoria BC. FREE Admission.
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In her latest collection, Rhona McAdam navigates the dark places of human movement through the earth and the exquisite intricacies lingering in backyard gardens and farmlands populated by insects and pollinators, all the while returning to the body, to the tune of staccato beats and the newly discovered symmetries within the human heart.
“…A beautiful, filling collection, Larder is a set of poems to read at the change of the seasons, to appreciate alongside a good meal, and to remind yourself of the beauty in everything, even the things you may not appreciate before opening McAdam’s collection….”
Rhona McAdam is a writer, poet, editor, and Registered Holistic Nutritionist with a Master’s in Food Culture from Italy and a deep-rooted passion for ecology and urban agriculture. Her work spans corporate and technical writing to poetry and creative nonfiction, often exploring the vital links between what we eat and how we live. Based in Victoria, BC, and available via Zoom, Rhona is always open to new writing commissions, readings, or workshops on nutrition and the culinary arts.















