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Happy chickens, modern sharecroppers and wild strawberries
Read Full Post: Happy chickens, modern sharecroppers and wild strawberriesJust came across this sweet story about a heritage breed of chicken that has been revived in India, to help counter the trade in industrial egg and poultry production.
And while we’re in a positive mood, another happy story, about the rise of garden-sharing by urban gardeners.
On my eternal quest for food poems, I found this one by Helen Dunmore, called Wild Strawberries.
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Food & poetry
Read Full Post: Food & poetryIt seems I am not the only one on the planet with these twinned obsessions. On Friday I went to Farringdon Road and found my way up the near vertical stairs of the Betsey Trotwood, which by its position I’d guess is frequented by Guardian writers and which boasts music and poetry nights, and locally-sourced foods (though I think not including the tiny bag of crisps I purchased from them at some considerable expense: when did they go up to 80p I wonder?). Friday night’s reading theme got its title, as the lucky winner of the bottle of Italian brandy was able to identify, from The Naked Lunch: Unspeakably Toothsome – an evening of food poems. Co-hosts Annie Freud and Roddy Lumsden read and invited a number of other poets to read also, from their own work as well as favourite food related poems by other poets. Each poet participating was rewarded with a food and drink goodies parcel rather than a fee.
Readers included: John Stammers (reading John Berryman, Frank O’Hara‘s “For Grace after a party”), Simon Barraclough (reading from Titus Andronicus, and Anonymous); ex-chef Angela Kirby (Peter Phillips – “I want to be buried in a restaurant” and Anne Stewart “To a melon”); Isobel Dixon (Les Murray – “In a time of cuisine” and Jonathan Swift “Green Leeks”); Mark Waldron (Russell Edson “Mouse” and Mattea Harvey “Setting the table”); Roddy Lumsden (Paul Muldoon “Holy Thursday”, Neil Rollinson “Scampi” – and a memorable poem of his own about the horrors of eating stroganoff in Shannon Airport); Annie Freud (Wendy Cope “The uncertainty of the poet”, DH Lawrence “Figs” and Bertolt Brecht “Buying oranges”); Cath Drake (Michael Ondaatje “Rat jelly”, Jacques Prevert “Breakfast”); Heather Philipson (Wallace Stevens “Floral decorations for bananas”, Frank O’Hara “Animals”); Susan Grindley (Lewis Carroll “Walrus and the carpenter”) and Tim Wells (Rodney Jones “First coca-cola” and Luke Warmwater “Hungry for pizza”).
One afternoon I caught up on some Radio 4 listening and heard a recent Food Programme about anchovies, which told a by-now familiar tale of looming extinction: the best varieties of anchovy are being harvested for volume rather than sustainability, and so we are likely to lose them altogether before too long.
Brunch yesterday was a delightful piece of french toast
at Sam’s…
I now embark on a week without (gasp) internet access. See ya later!
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In her latest collection, Rhona McAdam navigates the dark places of human movement through the earth and the exquisite intricacies lingering in backyard gardens and farmlands populated by insects and pollinators, all the while returning to the body, to the tune of staccato beats and the newly discovered symmetries within the human heart.
“…A beautiful, filling collection, Larder is a set of poems to read at the change of the seasons, to appreciate alongside a good meal, and to remind yourself of the beauty in everything, even the things you may not appreciate before opening McAdam’s collection….”
Rhona McAdam is a writer, poet, editor, and Registered Holistic Nutritionist with a Master’s in Food Culture from Italy and a deep-rooted passion for ecology and urban agriculture. Her work spans corporate and technical writing to poetry and creative nonfiction, often exploring the vital links between what we eat and how we live. Based in Victoria, BC, and available via Zoom, Rhona is always open to new writing commissions, readings, or workshops on nutrition and the culinary arts.





















