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  • We bless the smoking piano of Dijon

    Can you really get anything you want? Alas, they were closed when we passed by, so we will never know.

    I have to confess I have never been awed by French food, having had in my short lifetime eaten better in Spain, Italy and indeed Holland and Germany than in France, where I’ve had some spectacularly bad food. And I wasn’t converted on this trip. We had a lot more mediocre meals than good ones, and it reminded me of London in that way: it’s easy to find a poor meal; finding a good one is a matter of luck and/or money.

    Then again, if I may delve into thoughts inspired by this year’s studies in the culture of food, there is an art and a skill and a cultural knowledge involved in reading a country’s menus that should give you fair warning about which places to avoid; that coupled with a heavy purse can keep you safe from most bad food.

    All of that having been said, Dijon’s Le Piano Qui Fume was a great find, and we simply stumbled upon it, and took a second look simply because of its name (does anyone know if that is an allusion to something, by the way? We forgot to ask).

    A former creperie, it has been operating for the past four years in a good central location of Dijon. We had the three course menu for a not unreasonable 27 euros per person (passed on the cheese course which I’m sure would have been stunning as well) which began with an amuse-bouche of vichyssoise. Our paths divided with the starters: the asparagus and smoked salmon salad was perfectly executed, but the cannelloni – which our generous dining companion shared – was even better, a tender family of escargot sleeping in a soft pasta bedroll. (So much more comfortable than a nasty old shell full of garlic butter.)

    Then we all converged on the rabbit, which was exquisite; the diners around us who had the cod dish looked as happy as we.

    Lapin: before…

    And after…

    And then desserts of beautiful fresh strawberries (a little waffle with bitter orange marmalade was a perfect companion) and my clever fellow diners had the even more celestiale chocolate mousse with a surprise hidden puddle of white mint creammmmmmm lurking in its depths.

    Even the darling little cakes that came with coffee were charming and clever.

    And oh, happy day, there was a mix-up in our group’s final dinner reservation on our last night in Dijon, so we were able to return and try all the things we missed the first time.

    The sweet, tangy ratatouille that came with the cod gave me a shock: so that’s how it’s supposed to taste? And I had been reading MFK Fisher’s amusing recipe for it only the night before. The one change to the delivery was substitution of mint ice-cream for mint cream in the dessert, but it was altogether a delightful encore and a welcome finale to our visit.

  • Dijon continued: more wine, a few smoking barrels and a nice bit of cheese

    On Friday, we visited the Château de Corton-André, to hear about the wines of Pierre André from Christian Ciamos. He told us first about the yellow tiled roof of the chateau, which had come from Bruges and which was one of few in the area, an emblem of nobility dating back to the power days of the dukes of Burgundy. The château itself had been built on Cistercian cellars: the Cistercian monks were the first vintners of the area and established most of the vineyards and techniques still in use in Burgundy wines.

    In the fields, he talked about the moves to organic and biodynamic methods of cultivation that he and other winemakers are making. Basically, he said, it’s a question of respecting nature. Hence the roses still grown at the ends of many vineyards: they are prone to the same fungal attacks as vines and will show evidence before the vines do.

    The vines of Pierre André are treated for disease, he said, not the risk of disease, otherwise you kill both the illness and the ecosystem. He and others we’d heard from during the week came back to their incontrovertable truth: that living things that are not routinely treated with chemicals (whether pesticides or antibiotics) are fundamentally more healthy and able to resist disease than those you make dependent on chemical cures. There is again no irrigation in use here: the vines are made healthier by having to sink their roots deep into the soil to find water.

    We then retired to the cellar to have a tasting of wines from 2003 and 2004, and picked up an interesting snippet about wine tasting: there are three noses in wine – when it’s just poured in the glass; when it’s been swirled; and when the glass is empty.

    A big excitement later that afternoon was the visit to François Frères Cooperage, where we watched barrels being made. The company makes most of its own staves from lumber purchased at auction, and trims the pieces to size in a small mill on its property. The staves are then aged for two years before being trimmed again and formed into barrels. The most dramatic moment was the toasting, where the half made barrels are placed over fires so that the heat relaxes the wood and flavours it to the specification of the buyer.

    Before we knew it, Monday had arrived and it was our last day in France.

    We visited Gaugry, a family-run cheese factory near Dijon, to learn about the making of Epoisses. This is one of the soft smelly French cheeses that I’ve never been wild about, but I enjoyed the tastings, and found my favourite of the three we tried was mild, creamy and firm – a much gentler taste than the aroma suggested. It was nice, though not enough to cause me to risk the aromatic integrity of my fridge in Parma by bringing some back with me, but I will look forward to tasting it again one day.

    It’s a slow-coagulated, hand-salted cheese that is molded and dried before beginning a month or so of washings several times a week in marc de bourgogne (a wine solution) which gives it the orange colour we know it by.

    We tried three different versions: two raw milk (one a farmer’s cheese and the other made at the Gaugry factory) and one pasteurised, for markets like the US where raw milk cheeses can’t be sold. A tip for the interested is that pasteurised versions are runnier than raw milk ones, so it’s easy to spot the outsider among these three:



    We had a few hours in a very warm room at the top of the Burgundy school of business in Dijon, where Peter Dunn walked us through the massively confusing layers of names and quality marks for Burgundy wines. It was new information to me on the Bordeaux Classification of 1855 and some helpful review of AOC requirements for French wine. It was more on exposure, water, soil, limestone, marl and weather systems, and a bit on pruning and vinification.

    But before that, we were subjected to what may be the worst meal ever served (and not, in most cases, eaten): the cafeteria of the business school in Dijon. Curiously, they were offering this abomination during a student recruitment drive. The first photo was an unidentifiable deep fried something that was described as having a ‘bolognese’ filling; it was served on a mystery grain.

    The vegetables had been cooked into some kind of alternate chemical existence; it was as if they had gone beyond their roles as long dead plants into some new and appalling incarnation that could not properly be described as a life form.

    It was puzzling to us: why had we been brought here? Was there a learning point in this mealtime? This was not slow food; but neither was it particularly fast, and it was fairly certainly not even food.

    When we had completed our close observation and dissection of the substances, and drunk our cups of water, we were directed to a large bin in the corner where everything – the ‘food’, plastic cutlery, plastic plates, paper cups and napkins – were tipped into a plastic-lined void. A perfect finale: this school doesn’t trouble itself with either edible meals or recycling. I wonder what other lessons the business students take away from this place when they graduate.

  • Burgundy mustard, pork and beaucoup du vin

    Wednesday was mustard day. We left Lyon and stopped for a couple of hours’ free ramble round Beaune, looking pretty in the sunshine. The wine museum beckoned a couple of us, and we learned many things, including the six different ways one can drive a vine stake into the ground. Who knew??

    After lunch we all trooped into the Fallot mustard mill, which still makes its mustard in the traditional way, using stone grinding. We were surprised to hear that 98% of the mustard seed used in French mustard, including Dijon (which is not a geographical designation, so it can be made anywhere). The Fallot mill makes a Burgundy mustard which has nearly achieved its AOC designation, and which uses only locally grown mustard seed, some of that elusive 2%.

    After a tour of the interactive museum and a small tasting, we headed off to Dijon, where we dined near the market at Au Bon Pantagruel on some duck in armagnac sauce that did not linger quite long enough in the pan for most, and had to be wrestled onto the fork, followed by a chocolate mousse that left us wanting, well, a better chocolate mousse.

    It’s entirely possible one can have a much better meal there if there are not 25 of you with a block dinner order. Let us hope.

    Thursday we went to Volnay, to visit the Chateau de Puligny, where Etienne de Montille took us out to the fields to show us the terroir. His fields are organic, without irrigation, and he looked rather pleased when he said he couldn’t show us any unhealthy plants because they were all doing so well.

    We tasted a small and delightful selection before departing to la Ferme des Levees in Lusigny-sur-Ouche.

    Born again pig farmer Jacques Volatier told us he’d given up life as an engineer and town planner in order to do something more socially useful, environmentally sound, and agricultural, serving a local market – in protest against the industrialization of food production and long-haul food transportation. So, he raises pigs year round, outside, without antibiotics, and produces pork products on the farm. He doesn’t breed the pigs himself because that would require conformity with EU hygiene regulations which are so strict (like making the farm a war zone, he remarked) they would make it impossible for him to do what he needs to do, which is to show the people who buy his pork where it comes from.

    It’s a small scale enterprise, in which he slaughters about three pigs a week, and sells the meat and products at markets and from the farm shop.

    We sampled some jambon persille, jambon a la moutarde, pates en croute, gratons, salad and some home made elderflower cordial (he planted the elderflower as shade for the pigs, and began turning it into a saleable product as a sideline), followed by fromage blanc, a bit like cream cheese, from a farmer up the road, served with thick spooning cream and sugar or salt. Kind of like a do it yourself cheesecake, someone remarked.

    And off we went to another vineyard, this time the Domaine Dujac, where as we dodged spitting rain and thunder, Jeremy Seysses told us about his vines and wines.

    We had a spin round the cave and then he gave us a horizontal tasting of 2001 wines, chardonnay and pinot noir, followed by a special and delectable glass of 1976 pinot.

    Thursday night was another free meal, and after a drizzly walk seeing the sights of Dijon, we ended up nearly back at the hotel with our noses pressed to the menu board of Allo Nem, an Asian restaurant – when, like magic, our Taiwanese food guru Andy popped his head out the door and said the magic words: “it’s good!” And he was right.

Book cover of Rhona McAdam's book Larder with still life painting of lemons and lemon branches with blossoms in a ceramic bowl. One of the lemons has a beed on it.

“…A beautiful, filling collection, Larder is a set of poems to read at the change of the seasons, to appreciate alongside a good meal, and to remind yourself of the beauty in everything, even the things you may not appreciate before opening McAdam’s collection….”

Alison Manley

Rhona McAdam is a writer, poet, editor, and Registered Holistic Nutritionist with a Master’s in Food Culture from Italy and a deep-rooted passion for ecology and urban agriculture. Her work spans corporate and technical writing to poetry and creative nonfiction, often exploring the vital links between what we eat and how we live. Based in Victoria, BC, and available via Zoom, Rhona is always open to new writing commissions, readings, or workshops on nutrition and the culinary arts.