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AWP Seattle
Entering day 3 of AWP 2014 – and the first overcast day we’ve had. Sun shone on the 12,000 writers toiling up and down the escalators of the Washington State Convention Centre, on their way to windowless rooms and intellectual overload. I’ve been concentrating on panel discussions to do with the less lofty aspects of a writer’s life: preparing book proposals, building audience, marketing strategies, grappling with the onslaught of social and other media that are required tools of the trade nowadays. I’ve been to sessions on creative nonfiction – head’s a whirl with present tense, past tense, first and third person points of view.So far have barely managed a peek at the book fair – a couple of thousand booths I think –
featuring Canada’s own Brick Books, with Kitty Lewis presiding. And made it to only one reading, last night’s, when I had a tough choice to make: Robert Hass, Eva Saulitis, and Gary Snyder or Gretel Ehrlich with Barry Lopez, and opted for the latter as I hadn’t had a chance to hear Lopez before, a good champion of environmental thinking.Lopez was not the only creative nonfiction superstar here. It was standing room only for Thursday’s The I or the Eye: The Narrator’s Role in Nonfiction, which featured Phillip Lopate, Robert Root, Lia Purpura and Michael Steinberg (Elyssa East had been unable to make it, though the panelists seemed united in their admiration for her book Dogtown: Death and Enchantment in a New England Ghost Town). I was fading at that point – a poorly-timed cold – but Lia’s poet’s sensitivities spoke well to me (be more alert to qualities and increments of thought than focus on which voice is best for telling the story, she advised). The general gist, I suspect, was that the narrative voice depends on the story being told. But it’s always good to have erudite spins on that thought.
I’ve spent a fair amount of time at panels about a writer’s use of new media. The one on Twitter was, ironically, booked into a room with no Wifi access, which hampered the reportage from the resident tweeter. In fact chairs have been set aside in every session for registered Twitter users: check #AWP14 for full coverage. People at the conference have the luxury of a tweet wall which should be flowing with the continuous fullsomeness of what’s been said here, but it was stationary the couple of times I’d passed it. Time enough for all that later. On with the final day’s sessions. -
Saving BC’s agricultural land
In a day parenthesized by chilly rain, the sun decided to shine on today’s Food for the Future rally at the BC Legislature. For an hour or so, a swelling crowd of young, old and four-footed fans of food and farming milled about, drinking free coffee, eating free apples and nibbling free granola bars. Up on the stage, speakers called for action against wrong-headed changes to BC’s Agricultural Land Reserve. The “father of the ALR”, Harold Steves, as well as farmer-dynamo Nathalie Chambers, food-broadcaster Jon Steinman and others were there to explain the need for action.
Harold Steves And here’s the plan we were there to protest: BC’s government intends to put the administration of the Agricultural Land Reserve – which protects farmland from real estate and natural resources developers alike – in the hands of the oil and gas industry. The government claims to be committed to protecting our most productive farmland, but as any farming fool knows, “unproductive” farmland isn’t disposable: it is an integral part of sustainable farming. That “unproductive” land nurtures native vegetation, protects waterways and sequesters carbon. It provides habitat for the non-voting, non-human lives in our ecosystem: the greatly endangered pollinators of our crops and wild foods; the dwindling populations of fish, fowl and fur in our colonized landscapes; the irreplaceable minerals, mycorrhizae and bacterial life in our soil.
Anyone with concerns about this is urged to write directly to the one person who can stop this, BC’s oil & gas-industry-loving premier, Christy Clark. You can email her at premier@gov.bc.ca, or even better, send her a letter:
The Honourable Christy Clark
Premier of British Columbia
Box 9041. Station PROV GOVT
Victoria, BC V8W 9E1 -
A larger world
Today’s class was about pediatric nutrition, and inevitably, we entered into discussions about obesity: how malnourished mothers give birth to the same problems in their babies as did those in the Dutch Famine Birth Cohort Study. That malnourishment nowadays is, of course, not necessarily tied to a lack of food, but to a lack of nutrients, which produces babies with impaired cognitive, functional and immune systems. The children are likely, like those in the Dutch study, to struggle with a life-long legacy of neural tube defects, schizophrenia, infertility, cancer, cardiovascular disease, respiratory dysfunctions, and obesity. And the issues persist into subsequent generations: their own children are likely to have shorter lives than normal.
Now that obesity rates have reached 1 billion in the developing world, it was timely to come upon Way Beyond Weight, a Brazilian documentary looking at obesity in children. Thanks to globalization of junk food, the story was much the same in Brazil as it would have been anywhere in the long-industrialized world.The lives of these lonely overweight youngsters are already blighted by illnesses they are not old enough to understand or manage. The grim little titles that identify the conditions of the children interviewed – diabetes, thrombosis, arthritis and high cholesterol – hang in the memory as we witness their food choices: sodas, chocolate, chips, juice and cookies. One child confesses how often she fails to test her blood sugar and inject herself with insulin; another has a full-blown tantrum until his worn parents hand over the package of chips he’s after. Most are unable to identify common vegetables, but are experts in naming brands of junk food and directing their parents’ “food” buying patterns. McDonald’s and Nestle take a bow, showing the damage they can inflict through promotional toys and floating junk food supermarkets respectively.

Sugar content of infant formula Farinha Lactea The proud, loving and anguished parents are as bewildered as their offspring: they wean their babies early and switch to high-sugar infant formula, misread nutrition labels, and stare stupefied at the amount of sugar and fat their children’s favourite snacks contain. The health officer and tribal chief of one indigenous village explains how to prepare the instant noodles which he soberly opines are a healthy food. There are other wry moments too: the biologist who took a bite from a cupcake some school children were snacking on and who shows that it has not rotted or grown mouldy in the year and a half since; the school cook who admits that the only part of the meals she actually cooks is rice or noodles: the rest comes from cans.
Many experts lend their voices to the film; some Brazilian, others familiar to North American food watchers: Jamie Oliver and Ann Cooper both figure. In the end, the most optimistic observation, by advertising whiz Alex Bogusky, is that our consumer dollar is the only thing that can cause change. To the mothers who observed that their local store does not even stock fruits or vegetables, that will not seem like much of a solution.
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In her latest collection, Rhona McAdam navigates the dark places of human movement through the earth and the exquisite intricacies lingering in backyard gardens and farmlands populated by insects and pollinators, all the while returning to the body, to the tune of staccato beats and the newly discovered symmetries within the human heart.
“…A beautiful, filling collection, Larder is a set of poems to read at the change of the seasons, to appreciate alongside a good meal, and to remind yourself of the beauty in everything, even the things you may not appreciate before opening McAdam’s collection….”
Rhona McAdam is a writer, poet, editor, and Registered Holistic Nutritionist with a Master’s in Food Culture from Italy and a deep-rooted passion for ecology and urban agriculture. Her work spans corporate and technical writing to poetry and creative nonfiction, often exploring the vital links between what we eat and how we live. Based in Victoria, BC, and available via Zoom, Rhona is always open to new writing commissions, readings, or workshops on nutrition and the culinary arts.







