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Whole lotta fruit trees
Fruit Trees & More attracts as many visitors as bees, it seems. Bob Duncan
is generous with his time and knowledge in showing countless numbers of fruit aficionados around his demonstration orchard. He’s a retired entomologist who spends his winters scouting for frost-resistant fruit trees that might grow here on Vancouver Island. The Fruit Tree Project had a fund-raising outing there last weekend. We started with some basics on pruning fig trees.
The principle, says Bob, is to cut back the 2 year old branches and leave the thin, year-old ones to hang fruit on. The older branches just keep growing outward, so the tree becomes large and unwieldy. He says the fig is an ideal tree for Victoria as it has no pests or diseases and needs little water or attention; they have two crops a year in hotter climates, so you need a variety that bears a heavy first crop, since the second won’t ripen here. It can be grown in containers as well, but whether in ground or pot needs to be pruned to grow from two or three stout stems.
One of the attention-getting features of Bob’s home is the lemon tree growing under a glass shelter against the south-facing front wall. Acidic citrus fruits like lemons and limes don’t need the heat that sweet ones (oranges, grapefruit) need to set fruit. Though the trees are hardy to -7, their fruit freezes at around -3 so he protects them with Christmas lights on thermostats, and wraps them in Reemay if the weather gets colder than that.
Against the west wall, he has an olive tree


which also grows well here, where we are (so far so good) without the olive fly that plagues Mediterranean growers; the fruit is hardy to -5 and the trees evidently survived even this winter’s -10 temperatures. His apricotsalso need shelter as they’re not adapted to wet, humid climates. There was no mistaking the orangerie
where various varieties of oranges
as well as grapefruit
grow year round in an unheated greenhouse, protected like the lemons by Christmas lights on thermostat.
The fruit is left on the tree until it’s needed: unlike many other fruits, it doesn’t drop when ripe but just goes on getting juicier. He doesn’t sell the surplus oranges, unfortunately: you have to buy your own tree – or a jar of his wife Verna’s uniquely local marmalade. His kiwis do produce surplus fruit, however, and he promises the fruits are larger and sturdier than imported varieties. He grows them on this pergola
and says if you’re planning to do large scale growing you’ll need the right proportion of male to female plants for pollination. From a kiwi’s point of view, we have a marginal climate, as they need rich, moist soil and sufficient summer heat to ripen the fruit; about one year in six is unsuitable (I’m beginning to suspect this might be one of those..). He says we should watch for orange and red fleshed kiwis, which are about to hit the market.
Apples, those most popular fruits, present in about 200 varieties – many local rarities – and different methods of training and pruning. For most people, this oblique cordon (45 degree angle) which Bob favours
is too complicated to maintain, although it makes for a surprisingly long-producing tree on a dwarf stock, like all his apples. This one gives about 50 apples a year and has been going strong for around 20 years:
and he says they should live for up to 60 years, which is plenty for most people. He calls this the Christmas Tree style, which is easier to maintain:
He has to net the cherries to keep the birds off them when they fruit. Here’s a nifty Belgian cordon system he uses (but the “Christmas tree” shape works fine as well):
He warns against the temptation to buy multi-variety trees that garden centres are selling (three different kinds of apples etc.) as most amateur gardeners don’t have the ability to manage the differential vigour of such a tree – and you end up wasting money because eventually you otherwise end up with only one viable fruit variety.
Nectarines and peaches can, he said, be grown in the open despite popular ideas to the contrary. It is true they are vulnerable to leaf curl
but he counters that with one application of Bordeaux mix, which is a dormant spray approved for organic growing.
Pineapple guava is an edible evergreen
which needs to be grown under shelter, which unfortunately puts it out of the running for hedging.
We looked at his tea plants as well, and the Chinese “jujube” date, and the avocado (which still hasn’t fruited so he won’t sell it yet) and a pomegranate that he’s grafted with several varieties.. and I swear we didn’t see most of the orchard in the two hours we were there. To wrap up, he gave us a fleeting demonstration of his grafting techniques:
Grafted trees having a rest.
Busy bee houses (this orchard must be bee heaven), showing the hatching chambers on the left, where cocoons are placed after being cleaned over the winter:
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Friday’s launch of The Earth’s Kitchen; and two other lovely Leaves
Last Friday the Leaf Press chapbook launch at Planet Earth Poetry went well, aside from the fact I ran out of books before the reading started!I went first, because I had the fewest books, having sold my remaining 3 copies of The Earth’s Kitchen before I read. Actually I had plenty, as I brought some of my other works along, including the recently deeply discounted and suddenly out of print Sunday Dinners, which we launched in Victoria only last June. I have snapped up the few remaining copies so it’s now officially a rare collectable, like Crosswords from Frog Hollow, and Old Habits, from Thistledown/Slow Dancer. Happily, Cartography, from Oolichan, still enjoys currency as an increasingly rare first edition.
Next up was Pam Porter,
who read some ghazals from her new chapbook, This Awakening to Light: a Year of Ghazals, a sequence she’d begun when they started rattling off her pen with surprising ease at a writing retreat. As she said in her introduction, the ghazal is not for everyone, but it obviously suited her well.
Yvonne Blomer brought the evening to an end with Landscapes and Home, another sequence of ghazals that periodically followed some of the formal rules (such as including the poet’s name in the concluding couplet) and drew on her Zimbabwean origins and Victoria location, which gave the poems. A Zimbabwean friend of mine who had come along said she found the imagery rang true for her.
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Greenwashing fast food
Evolving news in the fast food world, including some linguistic bullet-dodging:
- The Fast food industry now calls itself the Quickservice or Fast Casual industry
- Low-fat, Low-carb and Low-calorie are being dropped from menus and packaging in favour of Wholesome, Healthy, Fresh, Natural, Local or Premium (I’d guess all these terms are essentially meaningless so can be used interchangeably)
Vegetarians aren’t economically valuable enough to get a place in line so the industry is not including meatless options across the board. But in Canada, maybe we have enough ethnic diners to make some dents..
This news from Washington DC suggests that consumer demand for low pizza prices is being met – at the expense of cooks’ wages. But they’ll need to drop further before unions will be able to find their way into the industry, which tends to draw its staff from a young and poorly educated labour pool.
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In her latest collection, Rhona McAdam navigates the dark places of human movement through the earth and the exquisite intricacies lingering in backyard gardens and farmlands populated by insects and pollinators, all the while returning to the body, to the tune of staccato beats and the newly discovered symmetries within the human heart.
“…A beautiful, filling collection, Larder is a set of poems to read at the change of the seasons, to appreciate alongside a good meal, and to remind yourself of the beauty in everything, even the things you may not appreciate before opening McAdam’s collection….”
Rhona McAdam is a writer, poet, editor, and Registered Holistic Nutritionist with a Master’s in Food Culture from Italy and a deep-rooted passion for ecology and urban agriculture. Her work spans corporate and technical writing to poetry and creative nonfiction, often exploring the vital links between what we eat and how we live. Based in Victoria, BC, and available via Zoom, Rhona is always open to new writing commissions, readings, or workshops on nutrition and the culinary arts.


























