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London: British Library and Poetry International
Spent yesterday morning in the shadow of Newton
at the British Library’s Business & IP (intellectual property) centre, attending a workshop on search engine optimization. It was a fairly fleeting visit, not allowing time to go and breathe the studious air of the reading rooms, but lovely to be there nonetheless. I had to rush off up the road to Islington to see Nancy and Mike, who had laid on a lovely spread of Ottolenghi treats, the better to catch up on our mutual travels. They’d been to the Torbay Festival of Poetry and, well, I hadn’t. But I’d been some other places we could talk about.
Then we all headed out to catch a bus, since it was a tube strike night, to get to the Southbank. Owing to all the extra road traffic, the bus ground to a halt and then chucked us all off early, so we walked along the Strand for a while and crossed over Waterloo Bridge with its admirable views of the Southbank, the Eye and Parliament.
Had it been light we might have taken a look at the Drop sculpture which I saw a couple of weeks ago.
But: it was dark, and we were there for a Poetry International reading, introduced by Simon Armitage, who’ll be in residence there for the next three years, seeing in the Poetry Parnassus project which aims to bring in 200+ poets, from all participating Olympics countries.
On this occasion we heard from six poets: Anne Carson (Canada), Kristiina Ehin (Estonia), Mimi Khalvati (UK/Iran), Bill Manhire (New Zealand), William Ospina (Colombia)
and Nii Parkes (UK/Ghana). Among my favourite readers in a very good evening were Anne Carson, reading from her gorgeous new collection, Nox; the amazing William Ospina, whose haunting works are sadly not available in English (but a small selection had been translated for the occasion); and Kristiina Ehin’s wildly entertaining reading which included some wedding songs: she warned us we’d find the melodies sad, and said this was because the idea is that if Estonian brides do not weep the night of their wedding, they will weep for all the years of their marriage.
And now for a picture of a nicely named street in Asti:
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If a supermarket chain can do it….
Carrefourgmo 251010 Cp Ogm En http://d1.scribdassets.com/ScribdViewer.swf
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Torino: food, glorious food
Around the corner from my hotel in Turin, there was a morning market in the square which had lots of to offer the food shopper, beyond all the designer knock-offs, budget tights and dodgy toiletries that seem to make up the bulk of street market wares in Italy. This stall, for example, offered herbs for teas:
My new Italian word of the month, topinambours (Jerusalem artichokes – new Italian experience of the month was eating them in Asti the week before)
and another new Italian word: alchechengi (Cape Gooseberry/ ground cherry / Physalis)
Of course there was cheese (several stalls)…
and the ever-popular baked beets (barbabietole cotte) and onions (cipolle al forno).
I also did a lot of window-shopping. Turin’s labyrinth of gallerias offer some magnificent window displays, like this one with its sugary treasures, everything from truffles and chocolate-covered walnuts, to marron-glacées, to Fungoni: “mushroom” éclairs hiding a hazelnut cream centre:
The Porta Palazzo market was much the same as I remembered from our visit in 2007; same tenements still standing, and perhaps still housing refugee squatters
and the covered market – housing the farmers’ market area – still gleaming and seething with custom.
In adjoining buildings there was lots to browse, including meats processed and fresh, domestic and wild,
some bread
and lots of cheese.
Meanwhile, stepping out the door from covered to uncovered areas, Europe’s largest outdoor market offered a reassuring sense of plenty on the stands that were mobbed with shoppers. There’s a large ring of non-food stands (clothing, cosmetics, flowers and so on) on the perimiter of the piazza, surrounding the food stalls in the middle. The shopkeepers did their best to out-shout one another, trying at this late time of day – around noon – to unload a bit more produce before they shut down.
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In her latest collection, Rhona McAdam navigates the dark places of human movement through the earth and the exquisite intricacies lingering in backyard gardens and farmlands populated by insects and pollinators, all the while returning to the body, to the tune of staccato beats and the newly discovered symmetries within the human heart.
“…A beautiful, filling collection, Larder is a set of poems to read at the change of the seasons, to appreciate alongside a good meal, and to remind yourself of the beauty in everything, even the things you may not appreciate before opening McAdam’s collection….”
Rhona McAdam is a writer, poet, editor, and Registered Holistic Nutritionist with a Master’s in Food Culture from Italy and a deep-rooted passion for ecology and urban agriculture. Her work spans corporate and technical writing to poetry and creative nonfiction, often exploring the vital links between what we eat and how we live. Based in Victoria, BC, and available via Zoom, Rhona is always open to new writing commissions, readings, or workshops on nutrition and the culinary arts.



























